Monday, 12 September 2022

The Cheer of the Gratefully Oppressed - reacting to the death of Queen Elizabeth




Queen Elizabeth II has died.   She was 96, and held the British throne for over 70 years.    She witnessed prodigious change in her lifetime - as anyone of her age, rich or poor, upper or lower class, has done.    She has presided over messy family history - her alcoholic sister Margaret, her playboy husband, her mostly unattractive and lumpen children, from the horsey Anne to the non-sweating but potentially paedophiliac Andrew.  Each unhappy family is unhappy in its own way, to be sure, but the Windsors were not and are not the only unhappy family in the world.   Elizabeth is greatly admired for her adherence to her duty as monarch and as lynchpin of the UK  constitution.   And that is fair enough, but she is hardly the only person who has done her duty in her particular  station in life.   And most of those dutiful persons do not get the same ridiculous praise for doing their jobs competently.

Yes, the death of a British monarch occasions the most extraordinary volumes of cliché, platitudes, fawning, and po-faced bullshit.    Here in supposedly republican Ireland, we are not immune to this disease.  On the contrary, the airwaves are awash with the most repulsive forelock-tugging masquerading as serious 'commentary'.   Battalions of Irish journalists and politicians queue up to recount joyfully and breathlessly the moment when the Queen was so delightfully condescending as to lift an eyebrow or fart in their general direction.    The juice that has been squeezed out of the Queen's cúpla focail at her speech in Dublin Castle during her visit in 2011 is of so vast a volume as to precipitate greater sea-level rise than the coming collapse of the Greenland ice-cap.   Why do we fawn so?  Why do we fawn so in the Republic of Ireland, where we are not crown subjects?  Why do we so relish the opportunity to abase ourselves?  Why do we accede so gratefully in our own oppression, as Joyce scathingly but accurately put it?

The monarchy is the centrepiece of the constitution of the United Kingdom, certainly.    But it also has functioned as a most wonderfully effective ideological apparatus.   Marxist writers such as Gramsci and Althusser (the former a major influence on the latter) expended a lot of consideration thinking about why and how capitalist societies, characterised as they were and are by instability and gross inequality in wealth, political power  and cultural legitimacy, manage to cohere and to reproduce themselves, and to repel, quash, silence or marginalize radical or revolutionary ideas and sentiments.   Gramsci suggested that liberal democracies, through various institutions of both state and civil society, manage to produce and reproduce 'hegemony', or a kind of leadership at the level of ideas, morality and culture.  Back in the 1980s, when Mrs Thatcher's Conservative governments dominated British politics, thinkers such as Stuart Hall sought to understand the capacity of the Thatcherite programme to saturate British political discourse.   Thatcherism was so powerful and successful as to win even a very substantial working-class vote.   To a leftist like Hall, this was an exceptional instance of the poor voting directly contrary to their own interests.   Only an extraordinarily dense and textured web of ideological production could so convince the lower middle class and the working class of Britain that Mrs Thatcher's values and goals were isomorphic with their own - the very quintessence of hegemony.



In the 1970s, Althusser wrote his famous essay on 'Ideological State Apparatuses', to try to think a similar problematic.   Drawing on Freudian theory, Althusser argued that 'ideology represents the imaginary relationship of individuals to their real conditions of existence'.  He also suggested that 'ideology has a material existence'.   What he meant was that humans experience the unfairness and inequity of the society in which they live as a series of contradictions which are not resolvable in rational terms.   Ideology - ideas and practices (hence the idea that ideology has a material existence) - offers apparent resolution of these contradictions on an imaginary level.   For Althusser, as for Gramsci, ideology is produced and reproduced all across everyday institutions of civil society - the most obvious such institutions would be education and the media.   But Althusser's stress on the materiality of ideology also allowed him to see ideology operating at the level of practice, an even more influential way of 'manufacturing consent' to society's structures than any propaganda or misinformation.   When a student sits in a seminar room or lecture hall, for example, she is learning not just the manifest information or material which her  lecturer puts before her.  She is also learning, by her very actions, how to sit and pay attention, how to remain silent and concentrate, how to defer to a supposed authority, and. by the time exams come around, how to reproduce that combination of information and consent as the 'right' exam answer.   

The monarchy, with its massive sense of tradition, its colourful spectacle, its rituals, its language and nomenclature, is such an apparatus in Britain but, because of the history of empire, with an extraordinary global reach.  The monarchy, no matter the dutifulness or decency or stolidity (or grotesqueness) of its actual members, has been and is a machinery by which inequity, class prejudice, unfairness are produced and reproduced in Britain.   The monarchy influences Britons not merely by explicit 'interpellation' (Althusser's term) or suggestion but by its very embodiment of unearned wealth, prestige, and elitism.  The monarchy, no matter how much reformed or modernised (or vulgarised) it  may be now and in times to come, is the antithesis of democracy and freedom.    The sooner it goes the better for all.


Some reading:

From Jacobin

The British Monarchy Has Woven Itself Into the Fabric of Capitalism





The 'incomparable Tom Nairn', one of Britain's greatest critics of monarchy:



And from Jacobin again, a statement on the value and power of  republicanism: 


Conor

Monday, 29 November 2021

Emergency Aesthetics - Seamus Deane's Small World

 In 1988 or 1989, I attended a one day conference on 'theory and teaching' at University College Dublin.  A group of TCD friends and I, all of us galvanised by our experience of 'literary theory' and also by a particularly approachable and enthusiastic teacher, went to the Arts Building in Belfield, and watched a gallery of notable Irish or Ireland-based scholars - Declan Kiberd, Ciaran Cosgrove, Thomas Docherty among them - exploring the implications of bringing theoretical discussions into their pedagogy.   

Towards the end of the day, sessions were collapsed into one large plenary, in one of those vertiginous and steep-sided theatres on the main Arts Building concourse.    The participants did not fill the theatre so we were encouraged to come down to the front rows of seating.    At some point, I became aware of a speaker who was still seated in the upper levels of the theatre.   The voice was quiet, confident, Northern.    I did not know who the speaker was, and I admit that I can't remember what he was saying, but what was instantly noticeable was that no-one else in the room - not even the star guest of the day, Terry Eagleton - was listened to with the same rapt attention.   It was a stunning performance.   The speaker, I later learned, was Seamus Deane.


I subsequently got to know Seamus a little when I took a Master's degree in English at UCD, under his tutelage and that of Kiberd, Docherty, Michael Paul Gallagher and Brian Cosgrove.   It was a year that decided my career.   I went on to write about his work extensively.   I am still learning from it and from his example.

Seamus Deane died on May 12 last.   I did not know him well, but I felt a great loss at his departure.   Seamus could be remote, he could be intimidating, he could be genial, and he could be hilarious.   But there was no other intellectual in Ireland quite like him - massive range, penetrating insight, and a hint of steel in his sense of the politics of ideas.   During my MA year I wrote an essay for him on Foucault and Habermas.  I was on tenterhooks as I went to discuss the essay draft one day, and I was certainly nervous seated across the table from him in his office, even as I was electrified at the seriousness with which he took the work.   But at the end of the session, he smiled at me and said quietly, 'I think this essay is very promising'.  I floated out of the room on a wave of confidence and pleasure.

At the point of his death, Seamus was about to publish a large retrospective collection of his essays, which he had assembled with the aid of my colleague Joe Cleary.   Sadly, Seamus did not live to see his book published.   His death was greeted by his friends and former students with a great run of memories of his dazzling lectures, and his uncompromising valorisation of critique as such.

I have just published a review of the book, Small World: Ireland 1798 - 2018 at the Los Angeles Review of Books.   The LARB is a splendid journal, younger than the New York Review of Books or the London Review of Books, but much more radical and more open to new writers and new ideas.   I am indebted to David Lloyd, Tom Lutz, Boris Dralyuk, Rob Latham and Cord Brookes for making this review possible.   Special thanks to Rob for his editorial skills and his patience. 

Conor  


Saturday, 13 November 2021

Edward Said as Activist - an essay in Jacobin

 Edward Said was and remains famous as a major American (and indeed, global) intellectual - a scholar-academic who stepped outside of his professional expertise in comparative literature to intervene in important discussions about Palestine, the wider Middle East, Islam, Zionism and Israel, American foreign policy, imperialism, justice and democracy.   His books most often split his academic concerns from his political ones, though a couple - most famously Orientalism - brought those interests together.   But in the early 1970s, Said could still describe himself as a kind of split personality, a Homo Duplex as Conrad called himself, who did everyday academic things in his workplace but who had all sorts of complex and controversial Middle Eastern connections.   



Timothy Brennan's recent biography of Said,  Places of Mind, tells us something rather different.   Said was, from the late 1960s on, an inveterate activist, organiser, facilitator, agitator, networker, on Palestinian and Arab issues in the United States and also in the Middle East.   Not merely this, but the activist work was not at all a contradiction or a mere sideline to the scholarly work - rather the academic work found one of its most important roots in his activism.   Writing and reading, the production and reception of texts - be those texts a policy statement or newspaper op-ed, or the most refined and arcane works of literature or philosophy - was to be understood, Said argued, as a 'worldly', streetwise, consequential activity.   



I have just published an essay on this theme in Jacobin, America's best leftwing magazine.    Warm thanks are due to Daniel Finn for inviting me to do this work, and for his support and patience in its production.   


Edward Said Showed Intellectuals How to Bring Politics to Their Work


Conor

Friday, 3 September 2021

Edward Said - Life and Critique





All my readers know that I am a keen reader and admirer of Edward Said.   I've been reading his work for a long time, and I've written about his work a fair bit.    So I've also got a good grip on the expanding literature on Said.   And in that literature, no writer has been of greater importance for me than Timothy Brennan.   A former student of Said's, Brennan has been writing intelligently and in an original way about Said since the early 1990s.   In a body of work which is still often composed of ideological or disciplinary policing of Said - he is insufficiently Marxist or Foucauldian, or his readings of Dickens or Austen or Kipling displease the professional Victorianists or theorists of the novel - Brennan's essays and treatments of Said have always stood out as reaching beyond these local critiques and taking hold of the major issues at stake in his work and positions.   This is not to say that Brennan has been uncritical - as a Marxist scholar, he has taken Said's partial appropriations of Lukacs, Gramsci or Adorno on and pointed out his weaknesses with a finely judged mix of rigour and sympathy.




Accordingly, when I learned a few years ago that Brennan was writing a biography of Said, I was very excited (not to mention a little envious).   Here was a writer who I felt could do justice to the wide range of Said's interests and activities.   And Places of Mind: A Life of Edward Said is no disappointment - it powerfully and often radically illuminates aspects of Said's work and thought which have mostly hitherto been hidden.    No one book that is not of Proustian proportions could cover 'all' of Said's life, thoughts or doings.   Timothy Brennan's book gives us a rich portrait to learn from and explore.   

I've reviewed this book for the redoubtable Dublin Review of Books, Ireland's best literary journal.    Warm thanks go to Maurice Earls for his help in making this review possible.    

Conor


Intellectual Insurrection


Thursday, 2 September 2021

Academics and intellectuals - Adorno, eyes, and splinters



Dear old Teddy. His sheer grumpiness, his sheer will to look at the world and its phenomena not just from one angle, not just from two angles, but perpetually from multiple angles - his prismatic vision - remains an inspiration at a time when 'scholarly work' consists more and more of dreary truisms and moralisms, delivered in the boilerplate prose of managed automatons. Adorno holds all such threats at bay. Here he is pouring scorn on the academic world of late capitalism. He may have written this - Section 84 of Minima Moralia - in the middle 1940s, but the integrity of his vision remains, and remains compelling. 

Conor 

Timetable. – Few things differentiate the mode of life appropriate to intellectuals so deeply from that of the bourgeoisie than the fact that the former do not recognize the alternative between labor and pleasure. The labor which need not, in order to cope with reality, initially do all the evil to its subject, which it later does to others, is pleasure even in the desperate exertion. The freedom, which it means, is the same which bourgeois society reserves solely for recuperation and through such regimentation at once takes back. Conversely, those who know of freedom find everything about what this society tolerates as pleasure unbearable, and outside of their work, which to be sure includes what the bourgeoisie displace to the holidays as “culture,” refuse to engage in substitute pleasures. “Work while you work, play while you play” [in English in original] – this counts as one of the founding principles of repressive self-discipline. The parents who wanted their children to bring home good grades as a matter of prestige, could least bear it when the latter read too long at night or, in the parents’ judgment, intellectually overexerted themselves. Yet out of their foolishness spoke the genius of their class. The doctrine drilled in since Aristoteles, of moderation as the virtue befitting reason, is among other things an attempt, to establish the socially necessary division of human beings into functions independent of each other so firmly that none of these functions would get the idea of crossing over to others and calling to mind actual human beings. One could no more imagine Nietzsche in an office, the secretary answering the telephone in the foyer, sitting at a desk until five, than playing golf after a full days work. Under the pressure of society, only the cunning intertwining of happiness and labor would leave the door open for actual experience. It is constantly less tolerated. Even the so-called intellectual occupations are being utterly divested of pleasure, by their increasing resemblance to business. Atomization advances not only between human beings, but also in the single individual [Individuum: individuated], in its life-spheres. No fulfillment may be attached to labor, which would otherwise lose its functional obscurity in the totality of purpose, no spark of sensibility [Besinnung] may fall in free time, because it might spring into the work-world and set it aflame. While labor and pleasure are becoming more and more similar in their structure, they are at the same time separated ever more strictly by invisible lines of demarcation. Pleasure and Spirit [Geist] are being driven out of both in equal measure. In one as the other, brute seriousness and pseudo-activity prevails.

Wednesday, 28 July 2021

Places of Mind - Timothy Brennan and Conor McCarthy on Edward Said - a Zoom webinar Thursday July 29, 2021

 



Hello friends and comrades

Though the notice is short, I'd like to alert you all to a booklaunch event organised by the  AM Qattan Foundation to mark the publication of Timothy Brennan's biography of Edward Said, Places of  Mind: A life of Edward Said (Bloomsbury), published last March.   The AM Qattan Foundation is a Palestinian NGO headquartered in Ramallah, in the West Bank.    

The event will consist of Professor Brennan presenting his work, and then engaging in some discussion with me, before general questions.    Anybody and everybody is welcome.   

The event will take place at 6pm Palestine time, which is 4pm Irish time, tomorrow Thursday July 29, 2021.  

Special thanks go to Bashir Abu-Manneh and to Idriss Khalidi for involving me in this event.

Please circulate this information to anyone you think might be interested!


Here is the Zoom data:

Zoom Link:


Topic: Places of Mind Book Launch 

Time: Jul 29, 2021 06:00 PM Jerusalem

 

Join Zoom Meeting

https://qattanfoundation-org.zoom.us/j/93447252061?pwd=YVVCMmErMms5Sndyam1hYjZSQWFTUT09

 

Meeting ID: 934 4725 2061

Passcode: 436938



Conor






Monday, 24 May 2021

Bob Dylan is a Zionist Cheerleader

 


Hi all my sandal-wearing, apple-juice-drinking, lentil-eating peace-loving and Bob-Dylan-worshipping friends i.e. most of the people in the world I care about -

Today is Bob Dylan's birthday.    I'd just like to remind you all of a particular song of Bob Dylan's, from his album Infidels, produced if memory serves by Mark Knopfler.  The song and the album appeared in 1983, about 15 months after Israel's invasion of Lebanon.   'Operation Peace for Galilee' organised and to some degree led by Ariel Sharon, who was Defence Minister in the Likud government of Menachem Begin, culminated in the summer-long siege and bombardment of Beirut, and the camp massacres at Sabra and Shatila.  Tens of thousands of innocent Lebanese and  Palestinians were killed or injured that summer.  Estimates vary but something between 800 and 3000 Palestinian and Lebanese civilians were slaughtered in the most brutal manner imaginable in the camps, over three terrifying days in mid-September.  The killings were carried out by Israel's Christian Phalange allies, led by the late Elia Hobeika.   The ghastly proceedings - documented unforgettably by the late Robert Fisk and by Jonathan Randal - were overseen, facilitated and watched by soldiers of the IDF, which had surrounded and controlled the camps.   The 'most moral army in the world' never lifted a finger to stop the butchery.

At this time, Bob Dylan, peacenik and anti-war campaigner, saw fit to release a song - 'Neighbourhood Bully' - of which the lyrics run as follows:

Well, the neighborhood bully, he's just one man
His enemies say he's on their land
They got him outnumbered about a million to one
He got no place to escape to, no place to run
He's the neighborhood bully.
The neighborhood bully he just lives to survive
He's criticized and condemned for being alive
He's not supposed to fight back, he's supposed to have thick skin
He's supposed to lay down and die when his door is kicked in
He's the neighborhood bully.
The neighborhood bully been driven out of every land
He's wandered the earth an exiled man
Seen his family scattered, his people hounded and torn
He's always on trial for just being born
He's the neighborhood bully.
Well, he knocked out a lynch mob, he was criticized
Old women condemned him, said he should apologize
Then he destroyed a bomb factory, nobody was glad
The bombs were meant for him. He was supposed to feel bad
He's the neighborhood bully.
Well, the chances are against it, and the odds are slim
That he'll live by the rules that the world makes for him
'Cause there's a noose at his neck and a gun at his back
And a license to kill him is given out to every maniac
He's the neighborhood bully.
Well, he got no allies to really speak of
What he gets he must pay for, he don't get it out of love
He buys obsolete weapons and he won't be denied
But no one sends flesh and blood to fight by his side
He's the neighborhood bully.
Well, he's surrounded by pacifists who all want peace
They pray for it nightly that the bloodshed must cease
Now, they wouldn't hurt a fly. To hurt one they would weep
They lay and they wait for this bully to fall asleep
He's the neighborhood bully.
Every empire that's enslaved him is gone
Egypt and Rome, even the great Babylon
He's made a garden of paradise in the desert sand
In bed with nobody, under no one's command
He's the neighborhood bully.
Now his holiest books have been trampled upon
No contract that he signed was worth that what it was written on
He took the crumbs of the world and he turned it into wealth
Took sickness and disease and he turned it into health
He's the neighborhood bully.
What's anybody indebted to him for?
Nothing, they say. He just likes to cause war
Pride and prejudice and superstition indeed
They wait for this bully like a dog waits for feed
He's the neighborhood bully.
What has he done to wear so many scars?
Does he change the course of rivers? Does he pollute the moon and stars?
Neighborhood bully, standing on the hill
Running out the clock, time standing still
Neighborhood bully.



It will be interesting to consider this song, in the days after the same 'neighbourhood bully' killed 254 Palestinians in Gaza over 11 blood-soaked days of aerial, naval and artillery bombardment, on Bob Dylan's official birthday.


Here is some more  reading on Bob Dylan's perfervid identification with Israel and with the Zionist right wing (including Meir Kahane's Kach party):

First, the  Institute of  Palestine Studies:



Next Al Jazeera:

And lastly, Electronic Intifada:


Many Happy Returns, Bob.



Conor